This is a site dedicated to the Libertines and their offspring. News, interviews, reviews, articles, pictures, videos and exclusives right here from the troubled world of the Babyshambles and Dirty Pretty Things (and, why not, Yeti).
- Tuesday 29 September - Peter Doherty + The Wave Machines. At: The Joiners (40th Anniversary Party), 141 St Marys Street, Southampton, UK. Doors: 19:30 - Age Limit: 14 - Tickets: £15.00 in advance, £17.00 on the door.
- Wednesday 30 September - Peter Doherty + Guests. At: The Underground, Morley Street, Hanley, Stoke-On-Trent, £13 ADV.
- Friday 2 October - Le Bikini, Ramonville-Saint-Agne, Tolouse, France
- Saturday 3 October - El Mediator, Perpignan, France
The concert is in full swing as Pete, full of goodwill wanted to set the mood in this sleepy public and invited the fan up on stage, about 15O responded to the call and the concert turned into a joyous riot left the key 3 security officers finding themselves overwhelmed. A massacre. The concert is threatened to be canceled but the band returns for the last two titles before making their final bow.
A concert "short" has been a set-list unfinished sound disastrous but a great atmosphere on stage and a supply of very positive group that enhances the level of the evening. In addition, a band playing the game up to sign autographs and photos taken with fans.
But 15 minutes before 23h, the show goes into a black hole. A girl who managed to get on stage to shake his idol, Pete Doherty motioned to the rest of the public that can climb too. You should not say it twice: Doherty is quickly swallowed by a human tide surging across the room, including the balcony, and full service order which does not appear on the same wavelength as the singer. Pete is happy but the big guys to expel all-va. Gradually, the voice goes out, followed by guitar, bass and finally drums. Silence music and shouts of joy from the crowd on stage until the intervention of the manager. He convinces young people to take for security issues and calls for the concert can resume ... that makes two sticks of drummer! Finally the group comes on stage, cheered and resumed for two reasons. But the scene continues to be penetrated by young people who enjoy braving the security guards. So to avoid slippage, the band finally goes on ... Fuck forever. Iggy Pop after last year, Pete Doherty is the new agitator Palace this year. Whose turn next year?
That changed only in 1994 in Sheffield, I went into a record store, rummaging for secondhand vinyl, looked at the cover - and discovered a single, on which a woman was seen with a hat. Somehow I talked to the photo, I bought the plate, and then everything was different. It was the single I Started Something I Could not Finish by The Smiths. I heard the melodies and thought: I want to do. I heard the line "hair brushed and parted" and I felt addressed. Just as I was running around at that time: with combed and parted hair beautifully. The singer hit me right in the heart - and I knew I would write songs like him. My dream was to be Morrissey.
At 17, I came very close to him once. He gave a concert outside of London, I hitchhiked a play that went one way by train without a ticket to have - and smuggled me into the concert because I had no money for the ticket. Somehow I fought my way to the edge of the stage, Morrissey walked in my direction, I stretched out his arms to his legs, he wanted to touch - but suddenly, two men pulled me out of the security, one took me in a headlock, I resisted, then thundered I head against a pole and was thrown back into the crowd.
Years later I actually met Morrissey. Very briefly, played as my first band The Libertines for him in the opening act. We hardly talked. And then he said to the press by some very unkind things about me, concerning my drug addiction, called me a cliché, thought I'd try to do something that would have already done Sid Vicious. Honestly, with Morrissey's knowledge about drugs you can fill the back of a postage stamp. Then he did something ugly: After I was expelled from the Libertines, he replaced the New York Dolls-sticker on his lapel with Libertines motifs. He enjoyed my humiliation. I felt hurt.
When I saw Morrissey the next time I will not only come to his leg, I would punch him one. And only when he is lying on the ground, I give him my hand. I shake the dust from his clothes - and then I offer him for the reconciliation of a collaboration".
The gig will be held at the Village Underground in London on October 8 and to be in with a chance of winning all you need to do is email your name and pub address to email@example.com before Oct 2. Entrants need to be 18 and over.
I've had very little feedback from this gig. Not even a ragged review on the Manchester Evening News. People generally said it was good and Peter was on form, and that's what counts most at the end of the day. For the moment have a look at this video of For Lovers!
PARIS (Reuters) - British singer and guitarist Carl Barat plans to release a debut solo album next year and take his first theatrical steps on stage in January.
That leaves very little time to think about reforming his old band the Libertines.
"It's not too late, it's just not the right time. I am not ruling it out completely but next year I am doing my album and maybe acting in two plays in London in January," Barat told Reuters.
Speculation has been rife that the cult British rock act would reform, reuniting Barat, 31, with fellow frontman Peter Doherty, years after they fell out in a blaze of drugs and bruised egos.
Recently Doherty, 30, who currently fronts Babyshambles, seemed to be on a mission to reform the Libertines, telling the New Musical Express magazine that he wanted to reunite the band to play British festival slots next summer.
Barat spoke to Reuters while relaxing backstage after playing at the Paris Pompidou Center museum with ex-Moldy Peaches frontman and U.S. anti-folk singer Adam Green Friday.
One of the evening's highlights was the pair's cover of old Libertines favorite "What a Waster." The raucous performance ended with Green tying up some members of the audience with heavy tape and smashing a guitar.
Barat, looking dapper in a white shirt, black tuxedo and matching hat, and accompanied by a fiddle and cello, played a couple of new songs he has been working on.
Of the future album, he said: "It's the first time I'm being on my own and doing without guitars fighting each other. It's a bit more about the voice. A bit more naked."
He has no record deal yet, but there are discussions with labels, he said.
Barat, whose influences range from the Kinks, the Velvet Underground to jazz guitarist Django Reinhardt, said he had been writing solo songs since Dirty Pretty Things, the band he formed in 2005 after the Libertines demise, split up last year.
"I'd like to release the album as soon as possible. I'm working every day. I want the songs to be completely new. I want to do something fresh," he said.
Asked how he felt about being on his own for the first time in years, he said: "It's absolutely terrifying but it has to be done. It's very hard but at the same time it's very rewarding."
"Everyone has to do what they think is right. Even if it's shit, people respect you for being brave enough."
Barat released two albums with Dirty Pretty Things: "Waterloo to Anywhere" and "Romance at Short Notice."
In recent months speculation grew of a Libertines reformation particularly as Doherty and Barat were often seen at each other gigs or even performed together.
This summer Doherty told the NME that he had already convinced former Libertines bandmates John Hassall, bass, and Gary Powell, drums, to reunite for gigs, and that as soon as Barat agreed, dates would be finalized.
Doherty went on to joke he would even consider hiring a Barat lookalike to stand in if the real one would not sign up.
"Good luck to him !" said Barat.
In March 2009, Doherty released a debut solo album "Peter Doherty: Grace/Wastelands" to critical acclaim.
In interviews Doherty insists he can juggle a solo career, his role as Babyshambles frontman and a Libertines reformation.
But for Barat The Libertines are no side-project.
"If I do the Libertines, it will be just the Libertines. If we do the Libertines, let's give them everything and be the Libertines again. Let's live that life again. It's a life and it's for a reason, for a good purpose," he said.
In July, former Clash guitarist and punk legend Mick Jones, who produced the Libertines' two albums "Up the Bracket" and "The Libertines" was quoted by music website The Quietus as saying he would be keen to see the pair get back in studio.
"I'm sure we'd have a lot more fun...We love Mick of course," Barat said, adding he had not seen Jones for a while.
Gigs of the week
Monday 21 September - Manchester Apollo, Manchester
Wednesday 23 September - Barrowlands, Glasgow
Friday 25 September - Palais des Festivals, Cannes, France
Pete Doherty kicked-off his UK tour on Saturday night (19.09.09).
The former Babyshambles and Libertines frontman wowed his army of loyal fans as he performed a two-hour set at The Roundhouse in Camden, North London.
His playlist mainly consisted of tracks from his solo album 'Grace/Wastelands' but also included some huge crowd pleasers including 'For Lovers', 'Delivery' and Libertines numbers 'Don't Look Back Into The Sun' and 'Time For Heroes'.
Dressed in his trademark hat and jacket Pete, who has previously not turned up for shows, looked to have put his personal problems behind him and looked every inch the star.
Following his well-received set, Pete came back for an encore, which included a cover of The Specials' hit 'Message To You'.
He continued his small tour with a concert in Lemington Spa last night (20.09.09) and he will play Manchester Apollo tonight (21.09.09) and finish in Glasgow Barrowlands on Wednesday (23.09.09).
Carl Barat and Adam Green played a joint gig together in Paris on Friday night (September 18), in a show that featured the two collaborating on each other's material and Barat debuting new songs.The duo played Paris' Centre Pompidou and were backed by Green's band and a string section. Watch fan recorded video footage of the gig below. As well as collaborating on The Libertines' 'What A Waster' and Green's 'Friends Of Mine', Barat played several new solo songs, with titles including 'So Long My Lover' and 'We Are All Heroes'. Both Green and Barat were in a relaxed mod during the gig, with the former fooling around with a roll of gaffer tape throughout, before finally breaking his guitar with a mic stand.
"The one and only Mr. Carl Barat has RSVPed" says the article "and will be making his first musical appearance for a while playing exclusive tracks at the event to celebrate what would have been the master distiller's 159th birthday. As a founding member of the Libertines and of course frontman of Dirty Pretty Things, Carl has been at the forefront of the country's best music for half a decade now. He's set to bring the rock'n'roll attitude to the party and we're sure Mr Jack would approve. Alongside some other fanous names, Carl will be performing a series of solos, duets and collaborations with the specially assembled New Silver Corner Band, a collection of uber-talented artists from Nashville gathered in homage to Mr Jack's original Silver Cornet Band formed back in 1892. [...] You too could be at the Birthday JD Set with Carl Barat on October 8. Just tune in to NME Radio's Drive show from 3pm on weekdays or head over to www.thejdset.co.uk to be in with a chance of winning three tickets to this invite-only event. And even if you don't, be sure to raise a glass of JD to the birthday boy".
Warning: The event is over 18s only.
Rock star Peter Doherty has however demonstrated his softer side by donating memorabilia to a Moray-based children’s appeal.
A backstage pass signed by the Babyshambles and former Libertines frontman will be auctioned on eBay to raise money for Logan’s Fund.
The campaign was launched by Chris and Angela Main in March to raise money to send their three-year-old son Logan to the US for cancer treatment that was unavailable in the UK.
Sadly the little boy lost his battle with the rare form of childhood cancer known as Neuroblastoma in June.
His parents, of Clifton Road, Lossiemouth, have continued to raise awareness of Neuroblastoma and support families and children whose lives have been affected by the disease. More than £65,000 has been raised so far.
Last night, Logan’s Fund supporter Cameron Mackintosh said he had used his connection with the musician’s manager, Adrian Hunter, to secure the backstage pass for the auction.
Mr Mackintosh, of Sandyhillock, Elchies, raised more than £4,000 for Logan’s Fund with an 85-mile walk around the Isle of Man in June.
The 40-year-old said it was “a nice gesture” by Peter Doherty, adding: “Being able to auction the backstage pass for the fund will help further increase Neuroblastoma awareness and hopefully introduce more people to Logan's story.”
Last night, Mrs Main said she was also pleased to hear about the kindness shown by the singer.
“It was a really nice thing to do. For somebody as famous as him to be hearing about Logan and helping the fund is a great thing.” she said.
To bid for the pass visit www.logansfund.org and click on the eBay link".
- Thursday 10 September - Queen of Hoxton, London (rescheduled gig - expect an afterparty at 126)
- Saturday 12 September - Festival de Saint-Nolff, Saint-Nolff, France (Scene Libertad, from 19.45 to 20.55)
Carl: There’s so many different people. I guess my dad; he introduced me to music, and then my step father who continued my developing interest. Then I’ve got about 5 or 6 friends, I guess there’s someone for each period.
Q: What’s your first memory of your dad when you were younger?
Carl: Just this hulking figure with a beard! I remember he used to drive around in this car; we used to have a Reliant Robin. I think it was embarrassing in later life! I remember sitting in the back and listening to The Jam and David Bowie, so I had that drummed in from an early age.
Q: Were there any lessons he used to talk to you about that you’ve brought into later life now?
Carl: He did give me a really good bit of advice a few years ago when I was having difficulty writing. He just said, “forget all this stuff.” Once you get in a band you really worry when you think you’ve done alright for yourself. With your first album you have 20 years to write it, and then your life changes so dramatically once that gets out there. Assuming it’s well received, the next 2 years can be spent at sound checks, in hotel bars and meeting pretty much the same people every night. There’s not really much you can write about in that, hence the problem second albums encounter. But my dad just said, “just make music that you like, that’s what you did in the first place.”
Q: Your parents split up when you were very young and your mum lived in a commune?
Carl: Yeah, she did live in a commune, she’s got a community but it’s the same thing. There’s a lot of very colourful memories. Being exposed to all elements of humanity from a very early age. I think a commune is a microcosm of any society really. You get just as much love as there is violence. I’m a bit jaded regarding the peace and love doctrines having seen it at that age. Sometimes I think I was a little young to be exposed to sex and violence and drugs. But at the same time I can draw a lot of positive experiences from it.
Q: Are you close to your actress-musician sister, Lucie?
Carl: Yeah really close. If we were with my mum we used to get dragged around to whatever she was doing. Me and my sister just used to fight all the time, but then at the same time be really protective of each other. I guess all brothers and sisters do that don’t they.
Q: What was school like?
Carl: School was a bit weird. I was quite unpopular, quiet and a bit introverted.
Q: Why do you think you were quite an introvert child at school?
Carl: Always the last to get picked at sport; that’s quite a big deal at school. I was pretty weird looking and just not very gregarious. But a lot of people I speak with went through that at school.
Q: Who was the person that introduced you to playing music?
Carl: Well my dad had a guitar which I wasn’t allowed to touch, so that in itself was an incentive really! I got caught a couple of times, but that was incentive to learn really. Then the second you can play “Sweet Child O’ Mine” to your friends and you see the look on their face, it just snowballs from there really. It’s completely elating.
Q: Did anyone teach you how to do it or did you just pick it up and start playing?
Carl: I did it all on my own and I think that I was probably the slowest learner ever. Since [then], I’ve taught people and they’ve just picked it up in a fraction of the time, which I feel a little bit cheated by!
Q: When did you buy your first guitar, or who bought that for you?
Carl: I had my dad’s guitar; he eventually gave it to me as a birthday present, years later. It was really special. It was 80% special and 20%, “you didn’t get me a present this year!” Then my step dad lent me a really posh guitar which was coveted by all of the bands in the area, and I played that for a couple of years. I left it in someone’s house a couple of years ago and then someone nicked it at a party. So we don’t talk about that in the house anymore!
Q: Where do you feel your roots are as a person?
Carl: In guess just London really, it’s where my family has been for years and years. I do love London. [University] was my gateway to London really, that’s probably the best move I’ve ever made. I went to university because back then it was free money. I thought it was going to be all thinkers quoting Wilde, which might have been semi nauseating but for me at that age that would be great. But I got there and it was all goth clubs and dance compilation CDs which was a bit of a shock.
Q: You studied Drama, is there any particular play that moved you when you were younger?
Carl: No, it was films like “Back To The Future!” Later on I got into plays, “Hamlet” is still such a masterpiece. I did read “Decadence” by Steven Berkoff, which I look back on and it seems quite silly, but at the time that felt really radical and out there.
Q: Given the subject matter of this interview it would be a bit candid of me not to mention you meeting Pete Doherty of course. That was through his sister Amy-Jo, how did that come about?
Carl: She mentioned she had a brother for a very long time and she spoke very highly of him. One day she said he was finally coming up to London and she had to go and do something. He was in her room in halls and [she asked] could I go and look after him? I went in and the room just stank of urine and there was this guy sitting on the bed. He was much bigger than I expected, wearing this plastic jacket and I thought, “oh god, he’s incontinent.” But he did have electric eyes and a fascinating curiosity about everything, I found myself wanting to impress him for some reason! It turned out the pee smell was from the river, the window was open, it’s right on the Thames! That was an interesting start to an interesting friendship!
Q: When did you decide to write music together?
Carl: He had the idea pretty much straight away. He harangued me for about a year to get on with it, and I wasn’t sure what I was doing really - I thought I was going to be an actor.
Q: Where do you think your life would have gone had you not been in The Libertines?
Carl: I really can’t say, I have wondered. I don’t know to be honest; I think it was definitely death or glory. I was quite a depressive young sort, I was pretty dark.
Q: You’ve been through huge, ecstatic highs and then terrible lows. When he burgled your flat, how did that make you feel?
Carl: It’s all part and parcel. That was probably one of the worst times of my life really. I think that’s probably my lowest point and I turned into a bit of a dark recluse. I listened to some really dark and depressing music, like Mozart’s “Requiem.”
Q: How did you feel when you decided that Libertines were to be no more?
Carl: It was heartbreaking, and because it was such a big deal to everyone else, it was massive. It was intensified and it made this indelible imprint on my soul. It’s something that I can always draw from no matter how fixed I get.
Q: What’s your favourite song to play with Pete
Carl: It’s always been “Death On The Stairs” because that just fits. It’s such a shared song and a shared sentiment, I think it’s one of the most beautiful things that we ever did.
Q: Let’s move on to Dirty Pretty Things now. How did that feel to be on the road and writing with other people apart from Pete?
Carl: It felt hard I guess. There was no closure, everything was just sacked with guilt. I felt this unbearable load which some could say contributed to writing but you could say it was just really needless and I’m a bit more prolific without it. It was hard, it just felt unfaithful really and it was only towards the end of the band that I actually managed to let go of that and go, “what am I clinging on to this for?” Because when I see people they put it on me, this guilt and this gloom, and it’s actually alright, everything’s alright. It’s all good.
Q: Do you think it was quite necessary for you to get back on the road and just keep reliving the lifestyle that you’d become accustomed to?
Carl: I guess at the time I thought it was important to relive it but what I learned consequently is that is that it’s more important to embrace the moment and learn new things. That’s been the salvation really.
Q: You’ve worked a lot with Mick Jones, is there anything that you remember specifically from him?
Carl: He taught me a lot. Just his enthusiasm, passion, optimism, he got everyone on the same page and he danced when it was good and he was still when it wasn’t good. Even when I first met him, I was expecting this thuggish old man with a Mohawk, and Mick turned up in a suit looking pretty dapper.
Q: You had acute pancreatitis, was that all due from drinking?
Carl: No, it wasn’t from drinking, I’ve the constitution of an ox! It was because I took these steroid pills that the doctor gave me because I had congestion in my head. I got these pills and I think I must have double dosed on these steroids. Then I went to Moscow, and I did do a lot of drinking of the vodka! But then this pain just came back and grew and grew and grew and it ended up be pancreatitis. But I’ve still got the constitution of an ox!
Q: You’re working with the supergroup, The Chavs – is that going to get bigger in the future?
Carl: Essentially it is a side project even though I don’t like the term but it’s a cooking pot for anything we’ve got that doesn’t fit into the projects we’re doing at the minute.
Q: What are you up to now Carl?
Carl: I’m doing something slightly different , I’m writing a record. It’s about time I wrote a record that isn’t so forceful and aggressive and impatient. I’ve sort of slowed things down and shifted it back to melody. So I use strings, I write things that are a more songy. That’s what I’m doing at the minute, and then I’ll stick it on the album and shape up a bit and see if anyone likes it.
No videos yet from last night's gig at the Torriano. It was a sweet, melancholic and highly emotional night though, so thanks again to Peter and all the people involved for making this gig possible.